Showing posts with label Keller (Dan). Show all posts
Showing posts with label Keller (Dan). Show all posts

15 February 2023

The Girl Off the Train



One Way Street
Dan Keller [Louis Kaufman]
London: Hale, 1960
190 pages

Toronto boy Paul Saber has had a rough ten years. The earliest were spent as a commando in the Pacific theatre. After the fighting stopped, just as Paul prepared his return home, he received a "Dear John" letter. And so, Paul remained overseas, building an import-export business in Saigon. One presumes it was through this endeavour that he somehow ended up at the Battle of Dien Bien Phu:
"I wasn't a combatant, but I got mixed up in the whole mess and was captured by the Reds. It took me a year to escape back to Saigon, by that time there was little more left of my business than enough to pay my passage home."
He might've saved some money by taking a more direct route. Rather than cross the Pacific to Vancouver, Paul makes for Halifax, then travels the final leg to Toronto by train. He's only just set foot on the platform at Union Station when the jostling crowd forces an embrace with a fellow passenger:
"I am sorry," I apologised. "I'm afraid I lost my balance."
     She smiled. "It was as much my fault as yours, everyone is in such a rush."
This is a Canadian novel.

Toronto has changed. Not only is there a subway, the Royal York, at which Paul has a reservation, has undergone a significant expansion. Standing in its lobby, he spies the woman whose warm body he'd held at Union Station. She did not book ahead, meaning she's out of luck in getting a room. The helpful front desk clerk manages to secure accommodation at the Bentley, a much lesser hotel, and she sets off. Paul is so taken by her beauty that he follows at a discrete distance as she negotiates the city's darkened icy streets. Some might call it stalking. In any case, it's good that he did because she's pulled into an alley by two men. Paul rushes to the rescue, kneeing one in the groin as the other runs away.

The Princess Lounge, Royal York Hotel, 1954
He ushers the woman back the Royal York – the Princess Lounge, to be specific – where they down martinis, get to know one another, and fall madly, wildly, deeply, exasperatingly in love. No exaggeration. One Way Street is one of too many novels in which characters fall in love at first meeting.

Or is it second meeting? Does the bump (no grind) at Union Station count?

Paul's new love is beautiful blonde Patricia Bailey, a sophisticated and svelte Montrealer who models furs for a living. In the midst of their flirtations, Paul offers to exchange his room at the Royal York for hers at the Bentley. Patricia accepts. Because Patricia is a lady, she does not invite Paul in for a nightcap. Because Paul is a gentleman, he leaves the Royal York, trudging through frozen Toronto to the Bentley. Paul takes her room, and dreams of a new life with his new girl.

He awakens to find the Bentley in flames. Eighty-two will perish, but not our Paul. He ties together bedsheets and scales the outside of the building to the room one storey below. A body with bullet hole in the forehead lies on its floor, but given Paul's immediate circumstances, it is ignored. Paul makes for the hallway and is rescued by firefighters, but not before saving a young woman from certain death.

Our hero's recovery is a slow one; much of it is spent slipping in and out of consciousness. He emerges to find himself in the home of a prominent physician named Kahn. Seems a good thing, until Paul realizes that he's being held captive.


Because this is a mystery novel, further descriptions of the plot will only serve as spoilers. Still, there are things worth noting.

Let's begin with beautiful Patricia Bailey, who is not only a model, but a Montreal model. She's sharp as a tack, quick as a fox, and remarkably loyal. After she accepts Paul's marriage proposal – during what is either their second or third meeting – Patricia reveals that she comes from an extraordinarily wealthy family. Daddy is eager to give her anything and everything, but Patricia wants to prove that she came make it on her own. In short, Patricia Bailey is a fantasy figure, with the emphasis on figure. 

One Way Street should be of interest as one of the first mystery novels set in Toronto, but it is not. Union Station and the Royal York figure as settings, but Keller doesn't describe either. Remove these – along with fleeting references to the Toronto Star, the King Edward Hotel, the Ford Hotel, Front Street – and One Way Street could have been set in any other Canadian city.

The alleyway assault on Patricia aside, every crime in One Way Street is related to the heroin trade. This revelation, leads back to a character whom Paul confronts as the novel draws to a conclusion. He is "not without influence" in Toronto:
"I've moved heaven and earth, done everything in my power to get the narcotic laws changed, without success. There's only one way left open to me. If I can set up a clinic, get it operating successfully; prove that the drug addict is not necessarily a menace to society providing he is under medical care and is ensured a supply without having to murder or steal for it; then, when I'm caught, maybe people will sit up and take notice."
At the end of it all, this character, not Paul, proves to be the novel's greatest hero.

Pierre Poilievre will disagree.

Trivia:
The front flap copy errs in placing Vietnam in the Middle East.


This may explain Paul's return to Toronto via Halifax.

Object: A very attractive hardcover in brown boards. The woman on the jacket is meant to be Patricia, right? If so, she should be a blonde with green eyes. Did you notice the two men in the alleyway? Are they the men who tried to mug her? I'm not so sure. Patricia never wears a yellow dress, and no woman would venture outside like that in a Toronto winter. Still, I like the illustration and wish the artist was credited.

My copy was purchased last year from a bookseller in Rochester, Kent. Price: £80.00.

The jacket offers no information about the author – more here – but it does have adverts for several other Hale novels.


Access: One Way Street enjoyed one lone printing. There were no further editions. As of this writing, four copies are being sold online. At the low end is a jacketless copy going for US$50.00. The most expensive is another jacketless copy going for US $427.44. Look in the middle and you'll find two signed copies, with jackets, at US$110.00 and US$187.50.

You know which to buy. 

Library and Archives Canada has a copy, as does the University of Calgary.


19 December 2022

The Ten Best Book Buys of 2022 (plus gifts!)



This year will be forever remembered as the one in which Sexpo '69 was added to my collection. An elusive book, published in 1969 by Brandon House of North Hollywood, I spent at least two decades on its trail. My pursuit ended this past summer. The book set me back over one hundred dollars.


I'm betting it was worth every penny and that Lisa and considerate, gentle, sophisticated Bobbie will not disappoint.

"What?" I hear you say. "You mean you haven't read it!"

No, I have not. Too busy.... so busy that I didn't visit the Strand during last month's trip to New York. I did find time for Trump Tower, but only because it was so close to my hotel. I expected to be underwhelmed, and was more than underwhelmed. This was during the weekend of the New York City Marathon, and yet the place was nearly deserted. 


The length of my tie is not a political statement.

Each of this year's ten best book buys was found online, which is a sad state of affairs given recent travels. These are the remaining nine:

Behold the Hour
Jeann Beattie
Toronto: Ryerson, 1959


Jeann Beattie won the Ryerson Fiction Award for Blaze of Noon (1950), her debut novel. Behold the Hour, her second and last, is set in the early days of CBC television. I didn't think much of the novel, but illustrator Ken Elliott's dust jacket is a favourite.


Mrs Everard Cotes (Sara
   Jeannette Duncan)
New York: Appleton, 1894

Not at all what I expected.

What did I expect? At twenty-one, I read Duncan's classic, The Imperialist, but remember nothing.

Not only a beautiful volume, but one of the year's two best reads.
One-Way Street

Dan Keller [Louis Kaufman]
London: Hale, 1960

Flee the Night in Anger, Keller's first novel, is unique as the only post-war pulp to be set in both Montreal and Toronto. There's a fair amount of travel back and forth. This second and last novel, a very attractive hardcover, begins with a man arriving in Toronto from Montreal. Will he return? The title may provide a clue.

Leonie Mason [Joan Suter]
London: C & J Temple, 1947

Following East of Temple Bar (below), Murder By Accident was the second novel by Joan Suter. Both were published the year she divorced her first husband, left England for Canada, married again, and began writing as Joan Walker. The author hid her first two novels. Why she did is a mystery. This novel is another.

Martha Ostenso
Toronto: News Stand Library, 1949

Ted Allan and Hugh Garner were published by News Stand Library under pseudonyms – not so Martha Ostenso! And the Town Talked first appeared in a 1938 edition of McCall's. Where it doesn't appear is in any Canadian reference book.
The Blowtop
Alvin Schwartz
New York: Dial, 1948

The author's first novel. Published twenty years before he gave up the United States for Canada, it is set in Greenwich Village and concerns fallout stemming from the murder of a local pusher. Did I read somewhere that one of the characters is based on Schwartz's friend Jackson Pollack?

Joan Suter
London: C & J Temple, 1946

Another favourite cover, it graces the hidden debut novel of a woman who would one day win the 1954 Stephen Leacock Medal for Pardon My Parka and the 1957 Ryerson Fiction Award for Repent at Leisure. I liked the novel for its depiction of a time and place in which one could make a decent living as a writer.

Frances Shelley Wees
Winnipeg: Harlequin, 1949

As Ricochet Books series editor, I've returned two Wees novels to print. Lost House, a gothic thriller involving drug runners in remote British Columbia looked to be a possible third. Sadly, it is not one of the author's best.

The second book ever published by Harlequin!
A Question of Judgement

Phyllis Brett Young
London: Allen, 1970

Phyllis Brett Young published six books between 1959 and 1969 — and then nothing in the remaining twenty-seven years of her life. One wonders what happened. A Question of Judgement, her last, was first published in 1969 by Macmillan of Canada. This British edition, which appeared the following year, has the better cover.

This year the Dusty Bookcase received several gifts and review copies.


I'd long been an admirer of Dick Bourgois-Doyle's exploration of Leacock Medal winners. After reaching out, the author not only sent a signed copy of What's So Funny? (Burnstown, ON: Burnstown Publishing, 2016), but invited me to speak on Joan Walker and Ted Allan


Quebec history and literature enthusiast Helen Meredith gave me this copy of Kurt W. Stock's All Quiet on the Russian Front (Richmond Hill, ON: Pocket, 1973), which she spotted at a Montreal Salvation Army Thrift Store. Another in the Simon & Schuster's short-lived "series of original Canadian books." I'd never seen a copy.


Novelist Lee Goldberg, publisher of California's Cutting Edge Books, sent three newly-reissued novels – initially published between 1948 and 1961 – with Canadian settings: Muriel Elwood's Heritage of the River, Robert McCaig's The Burntwood Men, and The Tall Captains by Bart Spicer.


Karyn Huenemann of Canada's Early Women Writers gave me a copy of The Ninth Vibration and Other Stories (Toronto: McClelland & Stewart, 1922) by Theosophist and mystic L. Adams Beck. Like Sexpo '69The Ninth Vibration and Other Stories sits near the top of my TBR pile.

Here's looking forward to next year's book purchases.

Here's hoping some will be found in physical book stores.

Related posts:

22 January 2019

The Dusty Bookcase: Ten Years, 100 Titles



The Dusty Bookcase turns ten today. How is that possible? What was meant to be a six-year journey through the obscure and forgotten titles in my library has turned into something of a career. Is "career" the right word? This blog doesn't pay the bills, but it has resulted in a book, a regular column in Canadian Notes & Queries, and the odd gig with other magazines. It's also responsible, in part, for my position as Series Editor of the Véhicule Press Ricochet Books imprint.

True to the plan, I pulled the plug on this blog the day after The Dusty Bookcase turned six... only to be coaxed back by friends. I was easily swayed. I've enjoyed my time here; The Dusty Bookcase has brought much more than work, and has never seemed like work.

Though I don't see an end to The Dusty Bookcase, posts will be less frequent this year. I owe my publisher two books – and, as they'll pay at least a few bills, I aim to deliver the first. Still, let's see if I can't make it through these:


For this tenth anniversary, I've put together a list of the one hundred books that have brought the most enjoyment on this journey. The very best feature, as do the very worst. And so, Ralph Allen's cutting satire The Chartered Libertine (praised by Northrop Frye) is followed by two of Sol Allen's gynaecologist novels, which are in turn followed by the paranoid delusions of lying, hate-filled bigot J.V. Andrew. What fun!

All are recommended reading. You can't go wrong.

Hey, wasn't blogging supposed to be dead by now?


All Else is Folly - Peregrine Acland (1929)
Love is a Long Shot - Ted Allan (1949)
For Maimie's Sake - Grant Allen (1886)
The Devil's Die - Grant Allen (1888)
What's Bred in the Bone - Grant Allen (1891)
Michael's Crag - Grant Allen (1893)
The British Barbarians - Grant Allen (1895)
Under Sealed Orders - Grant Allen (1896)
Hilda Wade - Grant Allen (1900)
The Chartered Libertine - Ralph Allen (1954)
Toronto Doctor - Sol Allen (1949)
The Gynecologist - Sol Allen (1965)
Bilingual Today, French Tomorrow - J.V. Andrew (1977)
Firebrand - Rosemary Aubert (1986)


Revenge! - Robert Barr (1896)
The Unchanging East - Robert Barr (1900)
The Triumphs of Eugène Valmont - Robert Barr (1912)
Similia Similibus - Ulric Barthe (1916)
Under the Hill - Aubrey Beardsley and John Glassco (1959)
The Pyx - John Buell (1959)
Four Days - John Buell (1962)
A Lot to Make Up For - John Buell (1990)

Mr. Ames Against Time - Philip Child (1949)
Murder Without Regret - E. Louise Cushing (1954)

Soft to the Touch - Clark W. Dailey (1949)
The Four Jameses - William Arthur Deacon (1927)
The Measure of a Man - Norman Duncan (1911)


Marion - Winnifred Eaton (1916)
"Cattle" - Winnifred Eaton (1923)
I Hate You to Death - Keith Edgar (1944)

The Midnight Queen - May Agnes Fleming (1863)
Victoria - May Agnes Fleming (1863)

Present Reckoning - Hugh Garner (1951)
The English Governess - John Glassco (1960)
Erres boréales - Armand Grenier (1944)
Everyday Children - Edith Lelean Groves (1932)

This Was Joanna - Danny Halperin (1949)
The Door Between - Danny Halperin (1950)
The Last Canadian - William C. Heine (1974)
Dale of the Mounted: Atlantic Assignment - Joe Holliday (1956)


Flee the Night in Anger - Louis Kaufman (1952)
No Tears for Goldie - Thomas P. Kelley (1950)
The Broken Trail - George W. Kerby (1909)
The Wild Olive - Basil King (1910)
The Abolishing of Death - Basil King (1919)
The Thread of Flame - Basil King (1920)
The Empty Sack - Basil King (1921)
The Happy Isles - Basil King (1923)

Dust Over the City - André Langevin (1953)
Orphan Street - André Langevin (1974)
Behind the Beyond - Stephen Leacock (1913)
The Hohenzollerns in America - Stephen Leacock (1919)
The Town Below - Roger Lemelin (1944)
The Plouffe Family - Roger Lemelin (1948)
In Quest of Splendour - Roger Lemelin (1953)
The Happy Hairdresser - Nicholas Loupos (1973)
Young Canada Boys With the S.O.S. on the Frontier -
Harold C. Lowrey (1918)


The Land of Afternoon - Madge Macbeth (1924)
Up the Hill and Over - Isabel Ecclestone Mackay (1917)
Blencarrow - Isabel Ecclestone Mackay (1926)
Fasting Friar - Edward McCourt (1963)
Shadow on the Hearth - Judith Merril (1950)
The Three Roads - Kenneth Millar (1948)
Wall of Eyes - Margaret Millar (1953)
The Iron Gates - Margaret Millar (1945)
Do Evil in Return - Margaret Millar (1950)
Rose's Last Summer - Margaret Millar (1952)
Vanish in an Instant - Margaret Millar (1952)
Wives and Lovers - Margaret Millar (1954)
Beast in View - Margaret Millar (1955)
An Air That Kills  - Margaret Millar (1957)
The Fiend - Margaret Millar (1964)
Awful Disclosures of Maria Monk - Maria Monk (1836)
Murder Over Dorval - David Montrose (1952)
The Body on Mount Royal - David Montrose (1953)
Gambling with Fire - David Montrose (1969)
Wreath for a Redhead - Brian Moore (1951)
Intent to Kill - Brian Moore (1956)
Murder in Majorca - Brian Moore (1957)


The Long November - James Benson Nablo (1946)

The Damned and the Destroyed - Kenneth Orvis (1962)

The Miracle Man - Frank L. Packard (1914)
Confessions of a Bank Swindler - Lucius A. Parmalee (1968)
The Canada Doctor - Clay Perry and John L.E. Pell (1933)
Adopted Derelicts - Bluebell S. Phillips (1957)

He Will Return - Helen Dickson Reynolds (1959)
A Stranger and Afraid - Marika Robert (1964)
Poems - Richard Rohmer (1980)
Death by Deficit - Richard Rohmer (1995)


Dark Passions Subdue - Douglas Sanderson (1952)
Hot Freeze - Douglas Sanderson (1954)
The Darker Traffic - Douglas Sanderson (1954)
Night of the Horns - Douglas Sanderson (1958)
Catch a Fallen Starlet - Douglas Sanderson (1960)
The Hidden Places - Bertrand W. Sinclair (1922)
I Lost It All in Montreal - Donna Steinberg (1983)
The Wine of Life - Arthur Stringer (1921)

For My Country - Jules Paul Tardivel (1895)

The Keys of My Prison - Frances Shelley Wees (1956)
Arming for Armageddon - John Wesley White (1983)

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